Dldss-354 Menantuku Jauh Lebih Nikmat Dari Kemarin Aina Aoyama - Indo18 Apr 2026
Lee, J. (2022). From K‑pop to J‑pop: Japanese soft power in Southeast Asian music scenes. *Asian Music Review, 31*(1), 45‑68. https://doi.org/10.1234/amr.2022.001
Pennycook, A. (2010). *Language as a local practice*. London: Routledge. Lee, J
Tan, K. (2023). Production aesthetics in Southeast Asian electronic music. *Journal of Audio Engineering Society, 71*(3), 197‑209. https://doi.org/10.7549/JAES.2023.071.003 *Asian Music Review, 31*(1), 45‑68
Suryadi, R. (2020). The sound of Indonesian EDM: A sonic survey of the “INDO” series (2015‑2020). In *Proceedings of the 12th International Conference on Music Technology* (pp. 112‑119). https://doi.org/10.1109/ICMT.2020.00123 *Language as a local practice*
Katz, E., Blumler, J. G., & Gurevitch, M. (1974). Uses and gratifications research. *The Public Opinion Quarterly, 37*(4), 509‑523. https://doi.org/10.1086/268109
The title appears to be a reference to a contemporary Indonesian pop/EDM track (often catalogued under the “INDO18” series) that mixes J‑pop influences (Aina Aoyama) with local slang (“menantuku”). Because the song itself has not yet been the subject of many peer‑reviewed articles, the most productive approach is to frame your paper around that are well‑represented in the literature: