Majalis Ul Muntazreen-jild-2 [FAST]

Rashid the hangman swallowed a bubble and saw himself not pulling the lever. He saw the thirty-seven men walking free, building a school, growing old. He saw one of them—a poet convicted of blasphemy—reciting a line that would have ended a war. The bubble burst. Rashid fell to his knees.

Ayman approached Lina. He took her hand and placed it on the wall of the cistern. The wall was rough, but as she touched it, the stone became soft—like skin. And then she felt a pulse. The cistern was not a tomb. It was a womb . And the names were not dead. They were gestating.

Lina closed the book. She understood then that the Mahdi was not a savior. The Mahdi was a mirror . And the Awaiting Ones were not awaiting a person—they were awaiting the moment when they could look into the mirror and not flinch. The final assembly of Jild-2 took place in a cistern beneath the ruined city. Water had not flowed there for centuries. Instead, the cistern held names —every name of every person who had died awaiting something: rain, justice, a letter, a return, a sign.

For seven nights, they wrote. Zaynab wrote a fatwa declaring that revenge was a slower poison than grief. Rashid wrote a fatwa against capital punishment, then burned it, then wrote it again. Lina wrote nothing. She simply sat with the blank page, waiting for it to speak to her. majalis ul muntazreen-jild-2

The Second Chronicle of Those Who Wait at the Edge of Eternity Prologue: The Silent Minaret Forty years had passed since the first volume of the Majalis was sealed. The original scribe, Shaykh Abbas al-Nuri, was long dead. His bones rested in the unmarked grave he had requested—"so that none would make a shrine of my waiting." But his work did not rest. The leather-bound manuscript, its pages smelling of saffron and sorrow, had passed through four hands. Now it rested with a blind librarian named Idris in the catacombs beneath the ruined city of Zarqa.

Faraj nodded. He opened one of the blank books. Inside, instead of paper, there was a mirror. Zaynab looked into it and saw not her reflection, but her son—alive, at the age he would have been, arguing with her about the price of bread. She reached out. Her hand passed through the glass.

She threw the key into the well. They waited. After seven hours, the well began to hum. Then it screamed. And from its depths rose not water, but postponed moments —each one a translucent bubble containing a different "what if." The Awaiting Ones caught them in their cupped hands, swallowed them, and felt their own lives split into branches. Rashid the hangman swallowed a bubble and saw

"This is not hope," Lina said gently. "This is responsibility . To await is to admit that every present moment is a past moment's future. We are not waiting for something. We are waiting on something. On a version of ourselves that has not yet chosen to exist." The second assembly convened in a prison cell that had been expanded by grief. The warden, a man named Faraj, had once been a jurist. He had issued a fatwa that sent 144 people to execution. Years later, he discovered that his evidence had been forged. He could not rescind the fatwa—time had moved on. So he built a new kind of court.

He placed the manuscript on a shelf beside a skull and a dried fig. Then he sat in the dark, listening. Somewhere above, the city of Zarqa was crumbling into dust. Somewhere below, the names were stirring.

She took a shard of pottery from the cistern floor. On it, someone had scratched a single word in ancient Syriac: "Eth" —a particle that has no translation, but implies the exact moment of becoming . The bubble burst

One of the Awaiting Ones, a former hangman named Rashid, wept. He had executed thirty-seven men. But he had always waited the full three minutes before pulling the lever—out of mercy, he had thought. Now he understood: waiting was not a pause. It was a presence.

" Jild-2 ends here," Lina said. "Not because the story is over, but because the next volume cannot be written until we have lived the pause between the words. Go. Wait. But remember: to wait is not to be empty. To wait is to be full of what is not yet . And that fullness is the only proof of God that we will ever need." Back in the catacombs, Idris the blind librarian finished transcribing the assemblies into his raised-dot script. He then took a needle and thread and sewed the pages shut. Not to hide them, but to protect the silence between them .

And the waiting continued—not as a burden, but as a craft .