Predator 2 Mega Drive Official
Los Angeles, 1997. A record heatwave has cracked the asphalt and fried the city’s nerves. Gangs war over vials of angel dust, while the police are losing a war of attrition. Among them is Lieutenant Mike Harrigan, a man too stubborn to die and too angry to retire.
As King Willie finishes his speech, the ceiling explodes. The Predator drops down, grabs Willie by the head, and rips out his spine in a gruesome, 3-frame animation. You fight the Predator proper here.
“You can’t kill it, mon. It is the darkness between the stars. It takes the skulls of warriors.”
You find your partner, Danny, strung up by his feet. He’s still alive. The Predator appears between you, holding a combistick. It points at Danny, then at you. It wants a fair fight. If you try to save Danny first, the Predator impales him. You must fight first. predator 2 mega drive
The background is a blur of graffiti and dark tunnels. The only light comes from the train sparks and the occasional flash of the Predator’s shoulder cannon.
A heat shimmer distorts the background. You see nothing. Then, three red dots appear on your HUD (which looks like the Predator’s own vision: a grainy, scan-lined mess of oranges and reds).
Predator 2: Concrete Jungle Heat Platform: Sega Mega Drive / Genesis Genre: Side-scrolling action / Stealth Los Angeles, 1997
The train crashes. You now navigate a burning tunnel, holding your breath (a stamina bar depletes). The Predator appears as a mirror image—it mimics your movements. If you shoot its reflection, you lose health. You must find the real one by watching which one doesn’t cast a heat signature.
You cannot see the Predator. You only see thermal signatures. You must dodge plasma blasts that melt the floor tiles while shooting blindly at the heat haze. After dealing enough damage, the Predator decloaks—a mess of dreadlocks and mandibles, rendered in 16-bit glory. It screeches and leaps through a skylight.
Harrigan stands in the bloody sewer, holding the severed arm. The final text scrolls: Among them is Lieutenant Mike Harrigan, a man
You control Harrigan. The controls are simple: You move through a labyrinth of meat hooks and conveyor belts. The first enemies are simple Colombian gangsters—teal pants, red bandanas, pixelated Uzis.
The Predator falls to its knees. It laughs (a weird, clicking pixelated sound). It activates a portal and tries to crawl inside.