"I understood none of the plot, but I felt all of the entropy." That might be the best way to describe the experience of watching Rick and Morty: The Anime , the long-gestating, mind-bending companion series from director Takashi Sano (known for Tower of God and The God of High School ).
Wubba Lubba Dub-Dub... in Kanji.
The action sequences—particularly a chase scene where Rick’s spaceship transforms into a giant Mecha-Godzilla to fight a Space Pope made of black holes—are fluid and brutal. However, the show is also obsessed with stillness. Long, silent shots of Miss-Space-Waist (a new anime-exclusive character, voiced by Ai Fairouz) staring at a vending machine as reality glitches around her are common. It’s arthouse, not action-adventure. This is where the experiment falters for some. Justin Roiland’s replacements (Ian Cardoni and Harry Belden) do not voice the anime versions of Rick and Morty. Instead, the Japanese voice actors are used for the emotional heavy lifting, with English subtitles.
is a failure as a sitcom. But as a piece of trans-dimensional art about trauma, it is a howling success. Just don't expect to laugh. Expect to question your own reality.
In one stunning sequence, a depressed, chibi-style Morty sits in a rain-soaked Tokyo alley, holding a dying alternate-universe version of himself. In another, Rick has a 20-minute philosophical debate with a floating katana about whether consciousness is a bug or a feature of the multiverse. Rick and Morty: The Anime doesn’t care if you keep up. It wants you to drown in it. Forget the crude, rubber-hose animation of the original. This series is gorgeous. Director Sano employs a watercolor aesthetic for "real world" scenes and a harsh, high-contrast digital palette for the "C-137 Anime Dimension."