Role Models File

The room was dark. The house was silent. My wife was breathing softly beside me. And I lay there, listening to the sound of her breath, and I thought about the dream. I thought about the field of wildflowers, and the sun, and the woman with her hand outstretched. And I knew that I would never see her again. I knew that she was gone, that she had never been there at all, that she was just a story I had told myself in the dark. And I knew that this was the truth. This was the only truth there was.

I closed my eyes, and I waited for morning. End of text.

I was forty-two years old. I had a wife and two children, a house in the suburbs, a car, a dog, a cat, and a career that was neither a success nor a failure. I had never lost my innocence, because I had never had any to lose. I had been born old, like Gertrude Stein, but without her genius. I had been born careful, cautious, skeptical, and afraid. I had never believed in anything, not really, not deeply. I had never believed that the world was good, or that I was good, or that the people I loved would never hurt me. I had always known that they would. I had always known that everything ends, that everything falls apart, that everything is a story we tell ourselves to keep the dark away.

And then I went inside, and I went to bed, and I fell asleep. And I dreamed that I was young again, and that I was standing in a field of wildflowers, and that the sun was warm on my face, and that a woman was walking toward me, a woman I had never seen before, and she was smiling, and she was holding out her hand. And I reached out to take it, and then I woke up. Role Models

“That was a wonderful story,” I said.

I met him at a party given by a couple who were both therapists. The party was in a large, white, high-ceilinged room in a house that had once been a barn. The therapists, like many in their profession, were rich. Their friends were rich, or at least successful—lawyers, doctors, producers, professors, and, like me, writers. I was a writer of some reputation, but my reputation was not as great as his. He was a famous poet, one of those poets who become famous without ever writing a best-seller, without ever appearing on television, without ever being photographed in a magazine. He was famous because his poems were beautiful and strange and because he had been, for a time, the lover of a famous actress. The famous actress was dead now, dead of cancer, and the poet was old. He was seventy-three, and his face was a map of wrinkles, his hair was white and thin, and his eyes were the color of the sea in winter. He stood by the fireplace, holding a glass of white wine, and people gathered around him, listening to him talk. I stood on the edge of the group, not wanting to intrude, but wanting to hear what he said. He was telling a story about a time when he was young, a time when he had gone to Paris and had met Gertrude Stein.

He looked at me, and his eyes were cold. “It wasn’t a story,” he said. “It was the truth.” The room was dark

“I asked her what she meant by ‘innocence.’ She looked at me for a long time, and then she said, ‘Innocence is the belief that something is true because you want it to be true. It is the belief that the world is good because you are good. It is the belief that the people you love will never hurt you, and that the people you hate will never win. It is a beautiful belief, and it is always wrong.’”

“She was a large woman,” he said, “with a large head and large hands. She wore a brown corduroy suit and a brown felt hat, and she sat in a large armchair, and she talked. She talked about the war, the First World War, which she had lived through, and about the way the young men had come back from it, changed. She said they had lost their innocence, and that this loss was the only thing that mattered, the only thing worth writing about. She said that Hemingway had lost his innocence, but that he had found a way to write about it that was like a clean, white line on a blank page. She said that Fitzgerald had lost his innocence, but that he had found a way to write about it that was like a beautiful, sad party that went on too long. She said that she herself had never lost her innocence, because she had never had any to lose. She said that innocence was a luxury of the young, and that she had never been young.”

“That I used to be young,” he said. “And that I used to believe in things. Now I’m old, and I don’t believe in anything. Not in God, not in love, not in art, not in myself. I don’t even believe in the truth. I just tell stories.” And I lay there, listening to the sound

“What’s that?”

Here is the full text of the short story by the American author John Updike (first published in The Atlantic Monthly , 1994, and later included in his collection The Afterlife and Other Stories ). Role Models By John Updike

“You didn’t offend me,” he said. “You just reminded me of something I’d rather forget.”

He poured himself another glass of wine, and then he walked away, leaving me standing by the bar. I watched him go, and I thought about what he had said. I thought about innocence, and about the loss of it, and about the way we spend our lives trying to get it back. I thought about the famous actress, dead of cancer, and about the poet, old and alone, and about Gertrude Stein, sitting in her armchair in Paris, talking about the war. I thought about Hemingway and Fitzgerald, and about the clean white lines and the beautiful sad parties. And then I thought about myself.

The poet stopped again, and this time he did not go on. He looked into his glass, as if the wine held a vision, and then he looked up and said, “I have spent my entire life trying to get that innocence back. And I have failed.”