8/10 (Seasons 1-4: 9/10; Seasons 5-7: 7/10)
By the end of Season 2, The 100 established its core thesis: survival is a zero-sum game. In one of the most shocking sequences in modern TV history, Clarke is forced to pull a lever that irradiates Level 5 of Mount Weather, killing every man, woman, and child inside—including innocent allies—to save her people. There is no triumphant music. There is only Clarke, covered in blood, screaming "I bear it so they don't have to." The show’s greatest strength is its refusal to provide clean heroes. Every character, from the noble Kane (Henry Ian Cusick) to the fierce Octavia Blake (Marie Avgeropoulos), commits atrocities in the name of "my people." The show coins its own philosophy: "There are no good guys." Serie The 100
This is best embodied in the character of Octavia, who transforms from the girl under the floor into "Bloodreina," a tyrannical leader who forces her starving people to cannibalism in a bunker to maintain order. The show forces the audience to ask: Is she a monster, or a savior? The answer is always both. The 100 is a show of distinct eras. Seasons 2-4 are widely considered peak science fiction, focusing on a second apocalyptic event (a nuclear meltdown of the world’s power plants) and the political machinations of surviving factions. 8/10 (Seasons 1-4: 9/10; Seasons 5-7: 7/10) By
The series finale, "The Last War," remains controversial. In it, a race of higher beings judges humanity. The final solution? The human race chooses to "transcend" into a collective consciousness, losing their physical bodies and individual identity. Only a handful of characters (Clarke and her closest friends) are denied transcendence and are left alone on a sanitized, empty Earth to live out their mortal lives. Despite its divisive ending, The 100 carved out a unique legacy. In a genre filled with heroes who always find a third option, The 100 ’s protagonists rarely do. They are constantly forced into trolley problems where pulling the lever kills one group to save another. It is a show about the unbearable weight of leadership, the cyclical nature of violence, and whether "doing what you have to do to survive" eventually turns you into the very evil you were fighting. There is only Clarke, covered in blood, screaming