And he had grown tired. So tired, that the only honest thing left was to walk to this river and sink.
One day, Vasudeva walked into the forest. He did not say goodbye. He simply went to merge with the trees, as Siddhartha would one day merge with the river. The old ferryman had become the listening itself.
He had once called the world flawed, a veiled illusion to be escaped. Now, he sat on the damp clay bank of a wide, slow river. The same river he had crossed years ago, a young, sharp-eyed ascetic who had spat upon the material world.
“And that is good,” Vasudeva said, his weathered face a mask of ancient calm. “To suffer. To love. To let go.”
He learned that the river has no past. It is not yesterday’s water, nor tomorrow’s. It is only now – the same now that held his grief for his runaway son, the same now that held Govinda’s faithful seeking, the same now that held the robber and the saint. The river spoke a thousand voices: the laughter of children, the moan of the dying, the whisper of rain, the crackle of a forest fire. It was all one. The great Oneness he had sought as a young man was not a silent, distant void. It was this: a roaring, singing, weeping symphony of everything at once.
And in that emptiness, something new stirred. It was the quiet hum of a bee, the distant laughter of a ferryman he had once met. His name was Vasudeva.
He held it to Govinda’s eyes. “Every form is its own secret. Every face is the face of the Absolute. The world, Govinda, is not imperfect, or on a slow path to perfection. It is perfect at every moment. Sin already carries grace within it. Death already carries the seed of new life.”
