To pick a scene, you had to navigate your cursor through this drowned tomb. It felt invasive, like walking through a shipwreck. You half-expected one of the tiny thumbnail images to suddenly show the alien’s silver face staring back at you. In the age of Netflix and Disney+, we have lost this tactile relationship with the film’s atmosphere. When you click The Abyss on a streaming service, you get a generic synopsis and a trailer. You miss the ritual.
The menu options— —were rendered in a simple, thin, pale blue font. They hovered on the right side of the screen like a heads-up display on a submarine sonar screen.
If you ever find a copy of The Abyss on DVD at a thrift store, buy it. Not just for the film, but for the five minutes you’ll spend sinking into that menu. They don’t make depths like that anymore. the abyss dvd menu
Even now, over two decades later, veterans of the format still talk about leaving the menu running just to listen to the hum. It is the sound of the deep. And once you hear it, you never forget it.
The camera (if you can call it that) is slowly sinking. You see the infinite, ink-black void of the ocean floor. Silty sediment drifts across the frame. In the distance, barely lit by the hazy glow of the Deepcore drilling platform, tiny bioluminescent particles float like snow in reverse. To pick a scene, you had to navigate
You pop the disc in. The screen goes black. There is no bombastic fanfare or heavy metal guitar riff. Instead, you hear it:
For those who owned the 2000 Special Edition DVD (or the subsequent 2003 "Ultimate Edition"), the menu screen wasn't just a list of options. It was an anxiety-inducing, beautiful, and deeply immersive piece of art. To this day, it remains the gold standard for how a menu should respect the soul of a film. If you’ve forgotten, let’s dive back in. In the age of Netflix and Disney+, we
This design choice was genius because it mirrored the film’s central theme: Whether you were watching Ed Harris struggle to revive a drowned woman or looking at a glowing NTSC (Non-Terrestrial) intelligence, the menu told you that you were a long way from home. The Horror of "Scene Selections" The true terror of this DVD, however, resided in the "Scene Selections" page.
The water was murky green. Broken wires sparked silently in the current. And floating across the screen, lazy and indifferent, were the menu thumbnails—nine tiny screenshots of the film's chapters, bobbing gently as if suspended in saline.
Long before streaming services reduced movie menus to a mere "Play" button and a countdown timer, the DVD era offered something magical: a digital waiting room that set the mood. And no film understood this assignment better than James Cameron’s 1989 underwater epic, The Abyss .
There are no musical stings. There is only water, pressure, and silence. Most DVD menus of the era were cluttered. They had spinning 3D text, clip-art explosions, and looping midi versions of the movie’s theme song. The Abyss did the opposite.
