Here is the definitive breakdown of that relationship. Lana Del Rey didn’t just have B-sides; she had a full alphabet. Estimates suggest over 200 unreleased tracks exist, spanning from her 2006 Sirens era (as May Jailer) to the Paradise outtakes. Why so many?

In the pantheon of digital music folklore, few relationships are as symbiotic—or as legally precarious—as the one between Lana Del Rey, her vast ocean of unreleased music, and the dying ember of classic Tumblr.

In the early 2010s, Lana was a maximalist. She recorded constantly, often cutting entire albums before scrapping them ( Ride or Die , Valley of the Dolls ). Unlike other artists who lock demos in a vault, Lana’s hard drive was porous. Tracks were ripped from deleted SoundCloud accounts, stolen from unlisted YouTube videos, or leaked by vengeful producers.