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We are living through the Great IP Gold Rush. Hollywood has decided that original ideas are "too risky," and has instead turned the last forty years of pop culture into a content quarry. We’ve mined Star Wars into dust, resurrected Dexter three times, and turned Gossip Girl into something that looks like an AI hallucination of a rich person’s dorm room.

The reboot era is dying. Long live the original idea. What are you watching right now that feels fresh? Are you still keeping up with the Marvel universe, or have you jumped ship to the world of prestige horror? Sound off in the comments below. WowGirls.24.03.12.Lily.Blossom.Fuck.Me.XXX.1080...

If you have scrolled through Netflix, Disney+, or Max sometime in the last 18 months, you have likely experienced a specific flavor of existential dread. It usually hits right after the auto-playing trailer finishes. It’s that sinking feeling of, “Wait... didn’t I already watch this ten years ago? And five years before that?” We are living through the Great IP Gold Rush

Only Murders in the Building Season 3. If you fell off, get back on. Meryl Streep joins the cast and reminds everyone that she is, in fact, Meryl Streep. It’s comfort food with a side of genuine mystery. The Final Take: Sincerity Over Cynicism Here is the thesis for the rest of 2024: The media that wins will be the media that means something. The reboot era is dying

Five Nights at Freddy’s . Don’t go in expecting high art. Go in expecting animatronic murder carnage. It is the most faithful video game adaptation since the first Sonic , and Josh Hutcherson deserves a medal for running away from puppets.