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This paper examines Disney’s Zootopia (2016) as a layered social commentary on prejudice, systemic bias, and the possibility of跨物种 coexistence. Through its anthropomorphic setting, the film mirrors real-world issues of stereotyping, institutional discrimination, and the complexities of inclusion.

Zootopia presents a mammal metropolis where predators and prey live in supposed unity. The film follows Judy Hopps, a rabbit police officer, and Nick Wilde, a fox con artist, as they uncover a conspiracy tied to “predator aggression.” Despite its family-friendly surface, the film engages with themes of implicit bias, affirmative action, and the danger of fear-based politics.

Zootopia : Allegory, Bias, and Social Harmony in Anthropomorphic Narrative